01
Design
Every silhouette begins as a wearability problem, not a drawing. Weight, drape and how the piece behaves through a working day come before ornament.
Our Craft
Made to be worn, not stored
Certified stones, hallmarked gold and a design process that starts with wearability — here is what goes into a DIAGO piece before it reaches the counter.
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How It's Made
Four stages, no shortcuts
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02
Stone Selection
Natural diamonds are sourced and graded for cut, colour, clarity and carat. Nothing simulated, nothing treated — each stone carries its certificate.
03
Gold Work
Fine gold is worked to hold the setting securely at the lowest viable weight, then hallmarked by BIS to certify purity before it leaves the bench.
04
Finishing
Polishing, clasp testing and a final inspection against the design spec. Only then does a piece enter the collection.
At the Bench
Set by hand,stone by stone
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Every stone is seated individually. A pave field is not printed or cast — each grain is raised, the stone dropped in, and the metal closed over it under magnification.
It is slow work, and it is the reason a DIAGO piece holds its stones and its finish through years of daily wear.
Materials
What every piece is made of
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- Metal
- BIS hallmarked fine gold
- Stones
- Certified natural diamonds
- Grading
- Cut, colour, clarity, carat
- Weight
- Engineered for daily wear
- Settings
- Halo, pave, prong and bezel
- Service
- Lifetime cleaning & inspection
For Retailers
Built to sell,not to sit on the shelf
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Lightweight elegance
Lower gold weight per piece keeps price points accessible.
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Modern aesthetics
Designs that appeal to the buyer walking in today.
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High turnover potential
Built for shelf mobility, not long display cycles.
